Saturday, 26 March 2016

My Stuff: Easter Egg
a recipe in comic form
15/03/16
Last Easter Original Boy (then 5) suggested a food experiment...
It took us 11 months to try it out because, frankly I'm no fan of chocolate and it sounded a bit dubious... but dang me if it's not a trash treat!




Let us know if you try it out. I may have the next celebrity chef in my house... 

Tuesday, 9 June 2015

My Stuff: Nearlymades
a smattering of found stories and kipple narratives
09/06/15
My new book of Pareidolia - NOW AVAILABLE
92 pages / Limited First Edition of 200 / £9.00 +£1 p&p 
buy it here or email to ask about review copies or wholesale prices




“Nearlymades is a fascinating recycling of found (and doctored) images. Bridging the gap between graphic novels and artists’ books, this rare and excellent example of abstract comics is intriguing, beguiling and witty, and will change the way you look at the streets around you.” - Alex Fitch, Panel Borders



Lying on your back, finding faces in the clouds. Walking home under yellow street lights and mistaking a bush for a lurking figure. Seeing Jesus in your toast.
You’d be a rare human, indeed, if you had never glimpsed a nearlymade! 

This hefty new book asks my (imaginary) audience to take a sideways squint at beauty in the detritus of the world. A mash-up of abstract shapes and peculiar objects to tease out ... something ... from a lifetime's immersion in art and fiction.



Some of the found comics and stories in Nearlymades will seem familiar – like half-remembered tales of martians, myths and monsters. And deja vu is always waiting in the shadows, but nothing in the book began with graphics aforethought.

Chance sequences and stories noticed on my travels have been collated and are presented here for a slower consideration.. On close inspection, what looks like a script may turn out to be a title or some verbal ruse to slow the eye and tickle the imagination.



The underlying conceit of Nearlymades is found images and words, twisted by my mistakes and obsessions while leaving room for a reader's own imagination. There are allusions and personal jokes that nobody will notice, but I hope there are connections and ideas that only you will see. Until you share them... which is kind of the point of the project!

Nobody was likely to publish this work, based on the description above, so I've gone ahead and made a 200-copy first print (with thanks to the efficient and helpful Rich at comicprintinguk.com). It's not completely a comic or an artist's book or a photography collection, so where to promote it is not obvious. Please do buy a copy if you think you'd like it, but also pass this on and let me know if you have any ideas of where I might talk about it - at the time of writing, 75 copies are sold or spoken for, but that's still a good number to try to get out there.

And, of course, if there are any publishers interested in a 'mass' market edition - drop me a line.

Wednesday, 20 May 2015

Places I Bin: The Drawing Circus

Brighton Fringe Festival
20/05/15
Is it REALLY that long (10 years!) since I last went to life drawing?
And even longer since the last time I drew in charcoal??

Drawing real people in real life is not the same as studying a pose and drawing in ink is NOTHING like using charcoal – so off I went to the Spiegeltent: Bosco Theatre for an evening of sketching circus folk.

Turns out they are 'just' people in costumes but because there is a story and they hold poses rather than tumble around, it's just what I needed to (start to) clear off some of that rust. A good looking troupe and a story and some cracking live music to help get the blood pumping while drawing. I loved it and will try to get to their events whenever I can from now on (regular sessions are on Thursday nights which sadly clashes with other commitments so it will be just the odd shows I guess).

Below are a small number of the less embarrassing pictures I made.
  


  TOLD you I was rusty!!

Thursday, 7 May 2015

Places I Bin: Graphic Brighton: Drawing in the Margins

Sallis Benney Theatre, University of Brighton, 58-67 Grand Parade BN2 0JY
01/05/15 and 02/05/15
Two days of academic talks on the subject of the marginalised voice in comics.
Good talks, good chats outside the talks and some good beers after the talks!

Friday night's Gay Manga panel (Emma Vieceli, Inko, Chie Kutsuwada and Ilya, moderated by Alex Fitch) was interesting in itself, but especially notable for how often the panelists had to return to discussing the definitions of different manga categories. Even 'gay manga' is too broad with numerous variations on the theme.

Quick Strips, which followed, was largely a forum for Myriad Publishing authors to talk through their recent projects, but a few of the speakers did step outside of 'precis mode' - particularly Hannah Eaton, Danny Noble and Fraser Geesin.


The comics dynamo that is Karrie Fansman was interviewed by Time Pilcher to set the tone on Saturday.


Muna Al Jawad, Corinne Pearlman and Julian Hanshaw shared a stage for 'Can't we talk about something more pleasant? Older people and comics'. Corrinne gave us an overview of representations of the elderly in comic form; Julian talked through the thinking behind his upcoming Tim Ginger book, which imagines himself as a septuagenarian; Muna described her method of using cartoons in workshops and had us pair off to draw 'a memory of an old person', which images were then discussed to tease out unspoken and unexpected attitudes to ageing. 


Ilya (above, looking more puzzled than sincere which was the sketch I was intending to make) and Nye Wright hosted 'Street Dwellers': a lively panel asking if the homeless have a voice in comics. Impassioned contributions from the audience – particularly Kate Evans on who owns an individual's story – made this one panel that stuck in the memory. I thought the two leads handled it with grace and compassion, even when challenged on the ethics of depicting real people without their permission or knowledge...

Bumps, Births and early Motherhood in comics and graphic novels (phew!) was very rewarding. I've enjoyed Francesca Cassavetti's personal memoir comics for a few years now and her fellow panelists Henny Beaumont and Kate Evans had me noting down there titles to seek out later.

A much stronger second year for Graphic Brighton. Running parallel streams of talks is frustrating when interests overlap, but demonstrates how much ground there is to cover. Most panels seemed to be recorded, possibly video'd, so hopefully they will be made available online soon through Graphic Brighton or the Panelborders podcast.

Bring on Year 3 – tentatively themed War (& Peace, following comments at the closing session, we hope) 

Thursday, 19 March 2015

Free to share: Solar Eclipse Comic

19/03/15

Tomorrow we are excited to see the solar eclipse, and I've been explaining to The Noisy Boys (5 and 3) about what will happen.

Original Boy (5) is starting to read, so I made this comic with Reception Class level text and now his school has asked for copies - which is nice.



Feel free to share and print as widely as you want - I'm putting this out under Creative Commons copyright license and there's a link to an A3 print-quality pdf below


Tuesday, 28 January 2014




My Stuff: Ditchling
27/01/14

I will get better at posting stuff this year.
Maybe.

Towards the end of 2013 I took The Noisy Boys (4 and 2) to Ditchling Museum of Art + Craft.
It was a lovely day out and the village is charming.

The museum itself – less so. After a long closure for renovation, what was once a well presented local museum with lots of information about the area plus a healthy dollop of Art & Crafts history has become an impressive building with a seriously one-note collection that skims the surface of Eric Gil and the A&C movement. It offers nothing for the initiated and too little to engage the uninitiated, but it is early days in the new life of a museum and it is to be hoped that the education and events programme give it some momentum soon.

Anyway, I drew this sketchbook comic about the village and Eric Gill...

 




Not sure how I feel about the work of Gill. Pretty certain how I feel about the man!

For that 3rd spread I shamelessly (and very badly) ripped off a pose from the marvellous Cindy & Biscuit comic by the unnecessarily good cartoonist Dan White. I feel worse about doing a bad copy of his drawing than I do any of Gill's work. That probably says something about both artists. Buy one, exploit the other for your typesetting with pirated fonts and think about the dogs...

Wednesday, 23 October 2013



Notes From The Lakes #1

Grants for the Arts: Individual Creators & Organisations

Sunday 20 October 2013

For those who did not go to the excellent festival in Kendal or could not make the workshop, here are my notes from a very useful session on funding:
     "The Lakes International Comic Art Festival aims to support creators and the development of comic art in the UK. As part of this we are pleased to be able to present a special session at the festival about the support available to individual creators and organizations from Arts Council England which will be run by David Gaffney.

    David is Relationship Manager in Combined Arts for the Arts Council in the North.  He will talk about how individual artists, arts organisations, and others can apply for Grants for the Arts lottery funding, covering what you can apply for,  how to make your application stand out, how applications are scored and appraised, how decisions are made, what match funding is required, and loads of other issues, along with invaluable tips on how to achieve funding success."

    • The Arts Council offers grants for the arts of between £1,000 and £100,000 - although government cuts have impacted on the high-end of this Lottery funding has increased so grants are not actually becoming harder to obtain
    • Projects/events must take place in England (although products may be sent abroad) and must be of identifiable benefit to people - if there is not an audience to engage then the project will struggle to get funding
    • From 2013 The Arts Council has split funding into two strands: for grants under and over the £15,000 mark
    • Most comic-related bids have a better chance if applied for in the Literary Arts category rather than the Visual Arts. Look up Relationship Manager, Literature at your regional Arts Council
    • There is a bigger pot under £15k and 60% of applications for funding are successful
    • Feedback on failed applications is not offered. but it seems Development Chats are possible before bidding and in advance of re-submitting a previously unsuccessful bid if you describe it as ' assistance to develop my bid'
    • Grants are intended to grow and develop artistic practices or to take arts to an audience - not for educational or commercial purposes, so don't overdo the 'teaching kids etc' angle
    • There are four criterion a bid is judged against - artistic quality; how it will engage the public; how it will be managed; the budget for your activity
    • More weight is given to artistic merit and management
    • At least 10% additional funding needs to be in place - but that can be your own salary expectations, or payment in support from third parties with an appropriate cash value
    • To emphasise that your project is growing the arts, any benefit in artistic development should be stressed - for yourself and any others involved in the project (including as many of your suppliers, consultants and advisors as possible)
    • There are many aspects of a project that can/should be covered in a request for funding - not just the production but research, mentoring, promotion etc
    • Do not cut your budget for payment to artists - The Arts Council wants to fund the arts not the managers
    • Be realistic with costs - if a similar project has been approved recently, it may be used as a benchmark to see if parts of your bid are priced much higher or lower and either may count against you
    • There is approximately a six week turnaround time between application and decision
    It sounds like a slow process of form filling, but with more small projects being funded than before, now would be a good time to knuckle down to some paperwork as long as you approach it in a business like manner. Proper Arts Council guidance can be downloaded here


    Good Luck!